Kriston Capps, “Is a National Women’s Museum Still Relevant?,” The New York Times, October, 15, 2023

https://www.nytimes.com/2023/10/15/arts/design/national-museum-of-women-in-the-arts.html?smid=nytcore-ios-share&referringSource=articleShare

Jenny Wu, “Suchitra Mattai’s Perfect Future,,” ArtReview Magazine, October 30, 2023

https://artreview.com/suchitra-mattai-in-the-absence-of-power-in-the-presence-of-love-roberts-projects-los-angeles-review/

Harley Wong, “Suchitra Mattai’s European Pastorals Make Brown Women the Main Character,” Frieze.com, August 24th, 2023

https:/www.frieze.com/article/suchitra-mattai-profile

Katie White, “In Her Los Angeles Studio, Suchitra Mattai Weaves Vibrant Tapestries Out of Saris and Dreams Up Epically Scaled Installations,” ArtNet News, August 8th, 2023

https://news.artnet.com/art-world/suchitra-mattai-studio-visit-2346713

Marina Reyes Franco, “A Complex Survey of the Caribbean Diaspora in Chicago Goes Beyond Geographical Boundaries,” Art in America, April 12th, 2023

https://www.artnews.com/art-in-america/aia-reviews/forecast-form-art-in-the-caribbean-diaspora-mca-chicago-1234663866/amp/

Jan Garden Castro, “EXPO Chicago 2023: Build Community, Celebrate Diversity,” White Hot Magazine of Contemporary Art, April 2023

https://whitehotmagazine.com/articles/2023-build-community-celebrate-diversity/5755

Sadaf Padder, Curator’s Choice: South Asian Artists Addressing Migration through New Artifacts, Artsy, May 29th, 2023

https://www.artsy.net/article/artsy-editorial-curators-choice-south-asian-artists-addressing-migration-new-artifacts

Vasia Rigou, “The Aesthetics of Salt: A Review of Suchitra Mattai’s Osmosis at Kavi Gupta,” New City, Dec. 15th, 2022

https://art.newcity.com/2022/12/15/the-aesthetics-of-salt-a-review-of-suchitra-mattais-osmosis-at-kavi-gupta/

Cerebral Women Podcast, interviewed by Phyllis Hollis

https://cerebralwomen.com/2023/01/11/episode-135-a-conversation-with-suchitra-mattai/

Maximiliano Duron, The Best Booths at Art Basel Miami Beach 2022, from Dazzling Abstractions to Urgent Protest Art, ArtNews, November 2022

https://www.artnews.com/list/art-news/market/art-basel-miami-beach-2022-best-booths-1234648390/

Selene Wendt, Beyond the Door of No Return:Confronting Hidden Colonial Histories in Contemporary Art, , book chapter, Skira Press, 2021

Aaron Mok, “Suchitra Mattai probes the monstrous misconceptions around immigrant identity,” Hyperallergic, March 8, 2022

https://hyperallergic.com/715678/suchitra-mattai-probes-the-monstrous-misperceptions-around-immigrant-identity/

Emann Odufu, Suchitra Mattai’s Guyana exists in the gaps of the Western archive, Document Journal, March 8th, 2022

https://www.documentjournal.com/2022/03/suchitra-mattais-guyana-exists-in-the-gaps-of-the-western-archive/

Salomé Gómez-Upegui, “Suchitra Mattai’s Soulful works convey unspeakable truths,”Artsy, February 4, 2022

 https://www.artsy.net/article/artsy-editorial-suchitra-mattais-soulful-works-convey-unspeakable-truths

Artnet News, “Looking for the Next Big Thing? Here Are 6 Exciting Artists to Watch From Miami Art Week 2021,” December 7, 2021, https://news.artnet.com/market/looking-for-the-next-big-thing-here-are-6-artists-to-watch-from-miami-art-week-2021-2043675

 

Alison Stewart, “Suchitra Mattai's Debut Solo NYC Art Show 'Herself as Another,' All of It, WNYC, February 24th, 2022

https://www.wnyc.org/story/suchitra-mattais-solo-debut-art-show-herself-another/

Sammi Gale, “Monstering with Suchitra Mattai,” Plinth UK Magazine, January 2, 2021 https://plinth.uk.com/blogs/in-the-studio-with/monster-suchitra-mattai-unit-london

 

Sadaf Padder, “A Tale of Two Countries: Finding Indo-Caribbean Shakti in Colorado,” Hyperallergic, January 25th, 2022

https://hyperallergic.com/705864/a-tale-of-two-countries-finding-indo-caribbean-shakti-in-colorado/

   

Artnet Gallery Network, Spotlight: Artist Suchitra Mattai Weaves Myth and Memory Together in Her Dazzling Mixed-Media Works, February 17, 2022 https://news.artnet.com/buyers-guide/spotlight-suchitra-mattai-hollis-taggart-2073764

Alison S. Cohn, Harpers Bazar, Art Returns to Miami After a Two-Year Hiatus, Dec. 2, 2021

https://www.harpersbazaar.com/culture/art-books-music/a38402593/art-returns-to-miami-december-2021-january-2022/

Salome Gomez-Upegui, Artsy , Nov. 30, 2021

https://www.artsy.net/article/artsy-editorial-10-best-booths-untitled-art-miami-beach-2021

Stewart Lee, “Touched by the Hand of Ithell-My fascination with a forgotten surrealist, The Guardian, October 11, 2021 https://www.theguardian.com/culture/2021/oct/11/touched-ithell-colquhoun-forgotten-surrealist-stewart-lee

Cate McQuaid, Restoring Power with Portraits at Praise Shadows Art Gallery, the Boston Globe, January 13,th 2021

https://www.bostonglobe.com/2021/01/13/arts/restoring-power-with-portraits-praise-shadows-art-gallery/

Gregory Volk, “A Survey of American Art That Isn’t Just Coastal,” Hyperallergic, March 7, 2020

https://hyperallergic.com/546373/state-of-the-art-202o-at-crystal-bridges-museum-of-american-art/

Ray Mark Rinaldi, The Denver Post, Artist Suchitra Mattai’s latest exhibit takes a hard look at a difficult year, and envisions a path forward, July 28th, 2020

https://theknow-old.denverpost.com/2020/07/28/suchitra-mattai-k-contemporary/242374/

Isis Davis-Marks, History gets reclaimed at Hollis Taggart Gallery, Widewalls, June 8th 2020 https://www.widewalls.ch/magazine/history-reclaimed-hollis-taggart-gallery

Sarah Cascone, “Editors’ Picks: 19 Things Not to Miss in New York’s Art World This Week,” ArtNet News, March 2, 2020 https://news.artnet.com/art-world/editors-picks-march-2-2020-1785762

Kwon Mee-Yoo, “Sharjah Biennial breaks barriers of perception,” The Korea Times, May 5, 2019

https://www.koreatimes.co.kr/www/culture/2020/02/145_268529.html

Sarah Cascone, “Editors’ Picks: 19 Things Not to Miss in New York’s Art World This Week,” Artnet News, April 8 2019

https://news.artnet.com/art-world/editors-picks-april-8-2019-1498255

Ann Binlot, “the 14th Sharjah Biennial tells the stories ignored by popular culture,” Document Journal, April 3rd, 2019, https://www.documentjournal.com/2019/04/the-14th-sharjah-biennial-tells-the-stories-ignored-by-popular-culture/

Tom, Seymour, Wallpaper Magazine, “Sharjah Biennial 14 is raising the emirate’s cultural cache,” March 20, 2019

https://www.wallpaper.com/art/sharjah-biennial-14-leaving-the-echo-chamber

Osman can Yerebakan, “Our highlights from the 14TH Sharjah Biennial: Leaving the Echo Chamber, Cultured Magazine, March 12, 2019, https://www.culturedmag.com/sharjah-biennial/

KATRINA KUFER, Sharjah Biennial Is One Of The Best Art Happenings This Season,” Harpers Bazaar Arabia, March 17, 2019,

https://www.harpersbazaararabia.com/art/fairs-and-events/leaving-the-echo-chamber-sharjah-biennial

Shailaja Tripathi, “Making Way for New Stories,” The Hindu, March 14, 2019, https://www.thehindu.com/entertainment/art/making-way-for-new-stories/article26533342.ece

Ryan Warner, CPR (Colorado Public Radio), interview on Colorado Matters, https://www.cpr.org/news/story/artist-suchitra-mattai-

Joshua Ware, Other Narratives Other Histories, Entropy Journal, April, 2018, https://entropymag.org/other-narratives-other-histories-on-suchitra-mattais-sweet-asylum/

Grace Anezia Ali, A Collection of Contemporary Women’s Voices on Guyana, Brill Publishing, 2017